Lezing voor natuurkundeleraren op de Universiteit Leiden

Afgelopen dinsdag 15 mei heb ik een docentenbijeenkomst van natuurkundedocenten van middelbare scholen mogen bijwonen en een praatje gehouden over mijn theaterproject. De bijeenkomst vond plaats op de Universiteit Leiden in de collegezaal waar ik onder andere mijn hoorcolleges Kwantummechanica kreeg. Ik werd overspoeld door mooie herinneringen en mijn nieuwsgierigheid naar de recente ontwikkelingen in de natuurkunde bloeide weer op. De lezingen van Prof. Dr. Tjerk Oosterkamp en Prof. Dr. Jan Zaanen gingen precies in op de onderwerpen die ik de dag ervoor ook kort aangesneden had op het Da Vinci college voor de 5VWO leerlingen: de vereniging van de kwantummechanica en de relativiteitstheorie, het golf-deeltje dualisme van licht, kromming van ruimte-tijd, zwarte gaten. Tjerk gaf in het begin van zijn lezing kort aan wat hij middelbare scholieren vertelde. Het deed mij plezier te merken dat dit de onderwerpen waren die ik ook in mijn eigen lezing voor de leerlingen heb verwerkt.

bron afbeelding: Wikipedia, Wikimedia Commons

Wat is zwaartekracht? Dit is geen kracht, maar een kromming van de ruimtetijd.

In het programma na de warme maaltijd kreeg ik tijd om wat te vertellen over mijn eigen theaterproject. Het was voor mij de ideale gelegenheid om de voorstelling onder de aandacht te brengen van natuurkundeleraren van middelbare scholen. Deze bijeenkomst was heel leerzaam en productief. Bovendien was het erg leuk en inspirerend voor het mij en het project om weer op de universiteit te zijn en de gelegenheid te krijgen met natuurkundeleraren te praten.

Coming up next: Delft Fringe Festival

Op vrijdag 25 mei a.s. speel ik om 21.00u de Engelse versie The Story of The Einstein Girl in De Synagoge Delft als onderdeel van Delft Fringe.

Op zondag 27 mei a.s. speel ik in De Synagoge Delft om 14.15u de Nederlandse versie Het verhaal van Het Einstein Meisje.

Je kunt geen kaarten reserveren. Toegang is gratis. Donatie mag.

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Friday May 25th 9.00PM, English version The Story of The Einstein Girl, Synagoge Delft, Delft Fringe.

No reservations. Admissions free. Donation welcome.

The Columnist starring John Lithgow

The second Broadway show that I saw was just running. The Opening Night was April 25th. Totally different from the show Death of A Salesman that I saw last week. After the show some of the actors gave some background information about the story and the rehearsal process. The audience could ask them questions.

The first performances of The Story of The Einstein Girl in New York City: the actor’s perspective.

Tonight I’ll do my last show in NYC this month. Yesterday and the day before the shows went well, especially yesterday: that was fantastic. What a great feeling was that! I’ll try to explain below what it is that we actors learn at the Studio, to give you an insight in the process of making The Story of The Einstein Girl.

It is about doing things you don’t think about or create in your mind before you go up. You just let it happen on stage. That is when there is creativity. Being in control as the actor all the time, but just let your body and your voice do whatever happens and it changes like it has never changed before. Lines come out differently every night. My voice sounds different, my body is free. I open myself up here. I feel like a different person on stage. This is bringing a character to life!

I noticed during the first evening that, as the actor, I was pushing for results. I let the lines direct me, and that doesn’t feel good. Michael always asks me after I do my work: “How do you feel?’ That is his first question. I knew exactly what it felt like the first night. Well, it didn’t feel good. The show was good, but both Michael and I knew that it could be much better if I just let it happen and listen to my body and heart at that moment. And yesterday I let it happen. I did my relaxation exercises before I went up without doing any sense memory and imagination exercises. And I was completely relaxed when going up. The imagination was there, I didn’t need to look for it. And it felt so natural. I felt so real and so alive on stage!

This is, to me, what acting is. I know that there are different opinions about acting styles and methods, especially in Europe. And I would love to try as many and different styles and approaches I can. Because that is when as the actor you learn most. But some fit better than others, and already when I went to Strasberg in 2010 and learned about Method Acting I immediately felt home, comfortable, safe and very very happy. I discovered so many new things. I’m learning so much. The way the Americans approach acting, fits me well.

Working with Michael Luggio is great. I already knew from when I went to Strasberg that I wanted to work with him again. But I could not have imagined it would be like this. From all over the world actors come to his studio to work with him. Even a director from China, comes to the Malisa Theatre Academy to learn about directing. He visited two of Michael’s classes and watched our work. He also came to my performance. It was very interesting to meet this director and to talk to him about the show and the process of both the actor and the director.

The first night Casting Director Alison McBryde watched my performance. After the show we went out to take a bite, and we talked about my show and about her work. I am so happy that I didn’t know before I went up who she was: she was involved in very big movies like Pearl Harbor, The Insider, Armageddon, Heat, Dangerous Minds and The Island!

Tonight I’ll do my last show. I can’t wait to go up. First there is class this afternoon from 1 to 4 pm. I enjoy watching the work of my classmates. I can’t believe the month is almost at his end. Monday I’m flying back to The Netherlands, but I don’t want to think about that yet.

 

Knuckleball! at Tribeca Film Festival

After a day relaxing in the sun in Battery Park I just saw the documentary Knuckleball! at the Tribeca Film Festival. Didn’t know much about baseball, but I enjoyed the film very much. I almost felt like an American. Since it was the world premiere, the stars R.A. Dickey and Tim Wakefield were there too. The band MOONHOOCH that played before the start of the film was also impressive.

I have a ticket for the Broadway show Death of a Salesman tomorrow afternoon starring Philip Seymour Hoffman as Willy Loman.

I need to do some shopping too tomorrow to get the last props before the show starts on Wednesday night. Yesterday I went to Weist-Barron Studios, Stella Adler, Lee Strasberg and HB studio to deliver and put up some posters of the show. I’m so nervous and excited when I think about going up. Next Monday and Tuesday I will do the last run throughs.

Julia made some nice pictures of the rehearsal last Thursday (April 19th).

The city that never sleeps…

Tonight my sister joined class and watched the work I do with Michael. She took some pictures of the rehearsal. It was really great having her in class tonight.

After class we bumped into Ricky Martin, who’s starring in Evita, before we had dinner at Junior’s near Times Square. We ate there till 12.15am and had the best cheese cake ever. Then we walked along 42nd street to show my sister Bryant Park and the impressive Grand Central Terminal. Although 1.00am in the morning, it was still warm outside. It had been over 30 degrees Celsius during the day.

The English version: a new play

Yesterday and today I had four more classes with Michael, each three hours. During the week this is what my day looks like: I wake up in the morning, get my breakfast at the Deli, learn my lines and rehearse scenes at home, go to the studio at 2pm and work there until 10pm. I don’t see anything of the city during the week, besides the local 1 train from 14th street to 50th street, and the lights of Times Square when I head back for the train again. I love it.

The English version of the play is going to be very different from the Dutch version. And I knew that this was going to happen, because working with a different director results in a different play. When I arrived in NYC, I thought the English version of the script was all settled and ready to work with. But learning the lines turned out to be much harder than I thought. It is like learning the lines of a complete new play. The memorized Dutch lines won’t help me; I have to think in English. Besides, I am now rewriting some parts of the script again, in such a way that Michael and I can work with it the way we do. At the end of the month the play will be performed not twice but thrice.